The wedding day
Ceremony, cocktail hour and reception, all in one space. Solo violin with his own sound. He is not counting your hours — he is holding the day.
$1,500Solo · one spaceSamuel “Savoirfaire” Williams. Forty years on the instrument, sixteen records, elected to the AACM. Ceremonies, receptions and private events across Chicago.
Savoirfaire
The PlayerHis words, not ours. He first played Orchestra Hall at five as one of Betty Haag's Suzuki prodigies, led the principal viola desk at sixteen, and turned to jazz after sitting in with Milt Jackson at Interlochen.
Wynton Marsalis told him to study jazz violin properly. Johnny Frigo took him under his wing. In 2000 the AACM voted him in. Since then: Delmark, the Art Ensemble of Chicago, Kenny Burrell, Billy Bang, and a film credit.
One answer and you are already a step in. If the evening is spoken for you will know today — along with two other names in Chicago worth calling.
Named for the cartoon mouse — an affectionate nod to a knack for finding ways for his musicians to earn enough to focus on the craft. It stuck.
On the jobHe was three when he started playing at his parents' church, and five when he first walked onto the stage at Chicago's Orchestra Hall — one of a small group of Suzuki prodigies under Betty Haag, on a public television broadcast that became an annual event for over thirty-five years.
He studied at the Merit Music School: theory, the youth orchestras, private violin with Joseph Williams. At sixteen, conductor Frank Winkler invited him to lead the principal viola desk of the City Youth String ensemble. A Merit grant sent him to Interlochen for classical viola.
It was at Interlochen, sitting in at a jazz workshop with Milt Jackson, that the direction changed. Years later, working at Symphony Center, he played for Wynton Marsalis — who told him to go and study jazz violin properly. Johnny Frigo took him under his wing.
In 2000, the Chicago chapter of the AACM voted him in.
First performance with Betty Haag's Suzuki prodigies, broadcast on public television.
Invited by conductor Frank Winkler to lead the desk at sixteen.
Voted into the Chicago chapter for exhibiting exemplary musical flexibility.
Released on Delmark Records, one of Chicago's most storied jazz and blues labels.
Principal violinist with the Renascent String Quartet in the film with Gwyneth Paltrow and Anthony Hopkins.
Roscoe Mitchell · the Art Ensemble of Chicago · Kenny Burrell · Billy Bang · Hamid Drake · Nicole Mitchell's Black Earth Ensemble · Renee Baker. Session work for Otis Clay and R. Kelly.
Solo violin for a ceremony. A duo through cocktails. The quartet when the room is large and the night is long. He will tell you which one your room needs — including when that is the cheaper answer.
Ceremony, cocktail hour and reception, all in one space. Solo violin with his own sound. He is not counting your hours — he is holding the day.
$1,500Solo · one spaceReceptions, openings, donor evenings, holiday parties. Up to two hours on site, breaks included. Three hours $1,750, four hours $2,000.
$1,500Solo · to two hoursA garden ceremony and a ballroom reception means a second sound system carried in and set up. Each additional space is its own setup.
+$500Per extra spacePast about 150 guests his own system is not enough. A larger rig, and an engineer to run it so he can play.
+$1,000Over 150 guestsAdd a player on piano, guitar or harp, or bring a DJ. Or go all the way: a full rhythm section — piano, bass and drums — for $6,000.
+$2,000Piano, guitar or harp · DJ $1,000A QSC 1000-watt system covering a room of roughly a hundred without a house engineer. Stands, cabling, the lot.
Anywhere inside Chicagoland. Beyond that quoted honestly and separately — never buried in the rate.
Up to ten requests, arranged for violin and recorded in advance so you hear the aisle before you walk it.
Formal attire, on site forty-five minutes early, forty years of knowing when to play and when to stop.
Delmark on one end, self-released live sessions on the other. Four working ensembles, each with a different reason to exist.
Chicago Gypsy Project · Gypsy Jazz SeriesThe Jazz Quartet and the Chicago Gypsy Project are booked separately, through their own pages. What is on this site is Samuel himself.
The working band. Standards, originals, and whatever the night turns into.
Django-rooted swing — the reason the Tuesday residency exists. The record is We Swing.
Classical strings for ceremonies and film work. The quartet from Proof.
Hammond-grounded, late-night. Built for small rooms and long sets.
Press Play to hear any record without leaving the page — every track streams in full. Buy opens his Bandcamp store.
The residency runs weekly at Katalyst. Everything else is by arrangement.
Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation
Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation
Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation
Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation
Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation
Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation
Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation
Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation
Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation
Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation
Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation
He drew the mark in 1998 — a violin built from symbols borrowed from several cultures at once, so the instrument reads as belonging to everybody. It is on the records, and it is on everything below. Wear it and the idea travels: violin is for everyone.
AccessoriesVintage black leather strap. His signature and the Universal Violin on the dial.
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MugsTwo-tone, with his signature and the Universal Violin.
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MugsA nutrition label for violinists. For the string player in your life.
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Mugs“Violin is a window into the heart.” Two-tone mug.
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ShirtsDark tee with a violin-scroll illustration.
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ShirtsThree-quarter sleeves, the mark up front.
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ShirtsThe Universal Violin in white on black.
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ShirtsThe Universal Violin in black on white.
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AccessoriesThe Universal Violin, ankle to calf.
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Heard him at Katalyst, at O’Hare Airport, at your cousin’s wedding? Drop something in the case. Every tip goes straight to the musician.
On a phone? Tap a button. At a gig? Point your camera at a code.
A few short questions, and a price at the end of them. Every enquiry gets a real answer the same day — and if the date is gone you will hear that today, along with two other names in Chicago worth calling.
312 · 973 · 6024