Chicago · Est. 1986

Chicago’sjazz violinist.

Samuel “Savoirfaire” Williams. Forty years on the instrument, sixteen records, elected to the AACM. Ceremonies, receptions and private events across Chicago.

Samuel Savoirfaire Williams performing Savoirfaire
Jazz Violin
Chicago, ILL.
40Years playing
16Records
2000AACM elected
4Ensembles
40+Weddings a year
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Portrait with violinThe Player
Side A · The player

A living Chicago
urban legend.

His words, not ours. He first played Orchestra Hall at five as one of Betty Haag's Suzuki prodigies, led the principal viola desk at sixteen, and turned to jazz after sitting in with Milt Jackson at Interlochen.

Wynton Marsalis told him to study jazz violin properly. Johnny Frigo took him under his wing. In 2000 the AACM voted him in. Since then: Delmark, the Art Ensemble of Chicago, Kenny Burrell, Billy Bang, and a film credit.

Start here

What is
the occasion?

One answer and you are already a step in. If the evening is spoken for you will know today — along with two other names in Chicago worth calling.

Something else →

Side A · Track 01

The player.

Named for the cartoon mouse — an affectionate nod to a knack for finding ways for his musicians to earn enough to focus on the craft. It stuck.


Samuel Williams playingOn the job

He was three when he started playing at his parents' church, and five when he first walked onto the stage at Chicago's Orchestra Hall — one of a small group of Suzuki prodigies under Betty Haag, on a public television broadcast that became an annual event for over thirty-five years.

He studied at the Merit Music School: theory, the youth orchestras, private violin with Joseph Williams. At sixteen, conductor Frank Winkler invited him to lead the principal viola desk of the City Youth String ensemble. A Merit grant sent him to Interlochen for classical viola.

It was at Interlochen, sitting in at a jazz workshop with Milt Jackson, that the direction changed. Years later, working at Symphony Center, he played for Wynton Marsalis — who told him to go and study jazz violin properly. Johnny Frigo took him under his wing.

In 2000, the Chicago chapter of the AACM voted him in.

Chronology

The record.

  • 1986

    Orchestra Hall, age five

    First performance with Betty Haag's Suzuki prodigies, broadcast on public television.

  • 1997

    Principal viola, City Youth Strings

    Invited by conductor Frank Winkler to lead the desk at sixteen.

  • 2000

    Elected to the AACM

    Voted into the Chicago chapter for exhibiting exemplary musical flexibility.

  • 2004

    Running Out of Time

    Released on Delmark Records, one of Chicago's most storied jazz and blues labels.

  • 2005

    Proof

    Principal violinist with the Renascent String Quartet in the film with Gwyneth Paltrow and Anthony Hopkins.

  • Now

    The company he keeps

    Roscoe Mitchell · the Art Ensemble of Chicago · Kenny Burrell · Billy Bang · Hamid Drake · Nicole Mitchell's Black Earth Ensemble · Renee Baker. Session work for Otis Clay and R. Kelly.

Side A · Track 02

Engagements
& rates.

Solo violin for a ceremony. A duo through cocktails. The quartet when the room is large and the night is long. He will tell you which one your room needs — including when that is the cheaper answer.


A1

The wedding day

Ceremony, cocktail hour and reception, all in one space. Solo violin with his own sound. He is not counting your hours — he is holding the day.

$1,500Solo · one space
A2

Corporate & gala

Receptions, openings, donor evenings, holiday parties. Up to two hours on site, breaks included. Three hours $1,750, four hours $2,000.

$1,500Solo · to two hours
A3

A second space

A garden ceremony and a ballroom reception means a second sound system carried in and set up. Each additional space is its own setup.

+$500Per extra space
A4

A larger room

Past about 150 guests his own system is not enough. A larger rig, and an engineer to run it so he can play.

+$1,000Over 150 guests
A5

A bigger band

Add a player on piano, guitar or harp, or bring a DJ. Or go all the way: a full rhythm section — piano, bass and drums — for $6,000.

+$2,000Piano, guitar or harp · DJ $1,000
One rule underneath all of itHe charges for a day and a setup, not for hours. That is why a second room costs the same whether the music there lasts twenty minutes or two hours — it is a second system carried in and set up. Half the total holds your date and is non-refundable; the balance is due the week of the event.
Included

What comes with him.

B1

Sound

A QSC 1000-watt system covering a room of roughly a hundred without a house engineer. Stands, cabling, the lot.

B2

Travel

Anywhere inside Chicagoland. Beyond that quoted honestly and separately — never buried in the rate.

B3

Your music

Up to ten requests, arranged for violin and recorded in advance so you hear the aisle before you walk it.

B4

Presence

Formal attire, on site forty-five minutes early, forty years of knowing when to play and when to stop.

Quoted with your dateTravel beyond Chicagoland. Tell him where the event is and he will price the trip separately — never buried in the rate.
Side A · Track 03

Sixteen records
and counting.

Delmark on one end, self-released live sessions on the other. Four working ensembles, each with a different reason to exist.


The Chicago Gypsy Project performingChicago Gypsy Project · Gypsy Jazz Series
The bands

Four groups,
four different rooms.

The Jazz Quartet and the Chicago Gypsy Project are booked separately, through their own pages. What is on this site is Samuel himself.

01

Savoirfaire Jazz Quartet

The working band. Standards, originals, and whatever the night turns into.

02

Chicago Gypsy Project

Django-rooted swing — the reason the Tuesday residency exists. The record is We Swing.

03

Renascent String Quartet

Classical strings for ceremonies and film work. The quartet from Proof.

04

Savoirfaire Organ Trio

Hammond-grounded, late-night. Built for small rooms and long sets.

The catalogue

Tracklist.

  • 01Ran Out of Time The full version — the record as he made it2003Buy
  • 02Running Out of Time The same sessions, edited by the label for its official releaseDelmark · 2004
  • 03Chicago Gypsy Project — We SwingAlbumBuy
  • 04Come Alone2013Buy
  • 05Simple Classical Melodies2012Buy
  • 06HuazztecoAlbumBuy
  • 07Live in Verona, ItalyLiveBuy
  • 08Live at Beat KitchenLiveBuy
  • 09Live at the Shark BarLiveBuy
  • 10Radiant Darling EP1EPBuy
  • 11Radiant Darling EP2EPBuy
  • 12This Just InAlbumBuy
  • 13ThreadsAlbumBuy
  • 14The Only Other OptionAlbumBuy
  • 15Baddigo Recording SessionsSessionsBuy
  • 16HeatAlbumBuy

Press Play to hear any record without leaving the page — every track streams in full. Buy opens his Bandcamp store.

Side A · Track 04

Tuesdays,
and elsewhere.

The residency runs weekly at Katalyst. Everything else is by arrangement.


Residency

The Jazz Series.

  • 20Oct

    Katalyst Coffee & Music Gallery

    Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation

    Weekly
  • 27Oct

    Katalyst Coffee & Music Gallery

    Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation

    Weekly
  • 03Nov

    Katalyst Coffee & Music Gallery

    Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation

    Weekly
  • 10Nov

    Katalyst Coffee & Music Gallery

    Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation

    Weekly
  • 17Nov

    Katalyst Coffee & Music Gallery

    Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation

    Weekly
  • 24Nov

    Katalyst Coffee & Music Gallery

    Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation

    Weekly
  • 01Dec

    Katalyst Coffee & Music Gallery

    Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation

    Weekly
  • 08Dec

    Katalyst Coffee & Music Gallery

    Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation

    Weekly
  • 15Dec

    Katalyst Coffee & Music Gallery

    Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation

    Weekly
  • 22Dec

    Katalyst Coffee & Music Gallery

    Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation

    Weekly
  • 29Dec

    Katalyst Coffee & Music Gallery

    Chicago · Tuesday · 7:00 PM · Free admission, $20 suggested donation

    Weekly
Side A · Track 05

Liner notes.


Side A · Track 06

The Universal
Violin.

The Universal Violin mark

He drew the mark in 1998 — a violin built from symbols borrowed from several cultures at once, so the instrument reads as belonging to everybody. It is on the records, and it is on everything below. Wear it and the idea travels: violin is for everyone.


Samuel Savoirfaire Williams with his violin
Side A · Track 07 · The tip jar

Keep the
music playing.

Heard him at Katalyst, at O’Hare Airport, at your cousin’s wedding? Drop something in the case. Every tip goes straight to the musician.

Cash App$Savoirfairejazz Cash App QR code for $Savoirfairejazz Tip with Cash App
Venmo@Jazzviolinist Venmo QR code for @Jazzviolinist Tip with Venmo
PayPalSavoirfairejazzviolinist PayPal QR code for Savoirfairejazzviolinist Tip with PayPal
Zelle312 · 973 · 6024
Open your bank app, choose Zelle, and send to this number.

On a phone? Tap a button. At a gig? Point your camera at a code.


Want more than a tip?

Side B · Booking

Book a date.

A few short questions, and a price at the end of them. Every enquiry gets a real answer the same day — and if the date is gone you will hear that today, along with two other names in Chicago worth calling.


Samuel Williams playing312 · 973 · 6024

312·973·6024